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  • Dr. Aileen Dillane | Irish World Academy of Music and Dance
    to the Global Irish Studies Research Centre University of New South Wales Sydney NSW Australia Apr Composing Identity Playing with Post Ethnicity Liz Carroll s Lake Effect Sir Zelman Cowen School of Music Research Seminar Monash University Australia Mar Irish Music Performativity and Cultural Intimacy Melbourne Conservatorium of Music Research Seminar University of Melbourne Australia Mar Aislings and Avatars Irish Traditional Music Performativity and Cultural Intimacy Sean Ó Riada Annual Memorial Lecture National University of Ireland Cork Ireland Jan 2012 Music Space Utopia SAUL Senior Research Seminar School of Architecture University of Limerick Nov Sentimentalism in Irish Music Music in Ireland Lecture Series School of Music University College Dublin Ireland Oct Irish Traditional Music Nostalgia and Cultural Intimacy Banchnoic Éireann Ó Folklore Music and Song of Ireland Princess Grace Library Monaco Sept Irish Nostalgia What is Different About the Irish Irish Studies Interdisciplinary Conference Dept of Sociology University College Dublin Ireland Sept Peer reviewed Conference Presentations 2015 5 Texture Tradition and Transmission Donnacha Dennehy s Grá agus Bás Traditional Song Symposium University of Limerick Oct with Langlois T Reflections on LimerickSoundscapes Sonic Mapping Critical Citizenship and Social Activism ICTM SEM Joint forum in Ethnomusicology Transforming Ethnomusicological Praxis through Activism and Community Engagement University of Limerick Ireland Sept From Little Things Big Things Grow Paul Kelly Aboriginal Rights and the Structure and Efficacy of the Message Song Songs of Social Protest Symposium University of Limerick Ireland Apr May with Power M Devereux E and Haynes A Can you show me how not to feel Damian Dempsey s counter hegemonic representations of pre and post Celtic Tiger Ireland Songs of Social Protest Symposium University of Limerick Ireland Apr May The Utopian Im Pulse in the music of Su Ra s Space is the Place Eleventh Ralahine Utopian Studies Workshop respondent Kim Stanley Robinson University of Limerick Ireland Apr 2014 5 with Langlois T The Limerick Soundscape and Critical Citizenship British Forum for Ethnomusicology Symposium on Ethnomusicology and the City City University London UK Dec Locating Culture Making Soundscapes and Activating Critical Social Relations A Case Study from LimerickSoundscapes European Sociological Associations Lisbon Portugal Nov Indian Irish Musical Encounters Critical Irish Music Studies Panel American Conference for Irish Studies Dublin Ireland June with Langlois T The LimerickSoundscapes Project Urban Soundscapes and Critical Citizenship Symposium University of Limerick Ireland Mar Music Space and the Utopian Impulse Sun Ra s Space is the Place ICTM Ireland Annual Conference Galway Ireland Feb 2013 4 with Langlois T and Fernstrom M Soundscapes and Critical Citizenship Towards a People s Soundscape Symposium on Acoustic Ecology University of Kent UK Nov Considering Musically Mapping the City The Case for LimerickSoundscapes European Seminar in Ethnomusicology Cultural Mapping and Musical Diversity Bern Switzerland Sept 2013 Panel Convener and Featured Speaker Danny Boy as Ethnic Avatar Love and Sentimentalism in Popular Music An Interdisciplinary Symposium Royal Holloway University of London June Ethnicity Identity and Iconicity Donnacha Dennehy s Grá agus Bás American Conference for Irish Studies Northern Illinois University Chicago IL Apr 2012 6 Playing with Identity Fiddling with Post Ethnicity Liz Carroll and the Turtle Island String Quartet The North Atlantic Fiddle Historical Analytical and Ethnographic Perspectives on Instruments and Styles in Motion Panel Society for Ethnomusicology International Conference New Orleans USA Nov Irish Nostalgia What is Different About the Irish Irish Studies Interdisciplinary Conference University College Dublin Ireland Sept You re Gonna Need Someone On Your Side Morrissey s Fans 9th International Conference Crossroads in Cultural Studies Sorbonne Nouvelle University Paris France July Ora l iteracy At the Juncture of Music Theory and Practice paper presentation as part of the Institutionalising Irish Traditional Music at Third Level BA In Irish Music and Dance panel at NAFCO North Atlantic Fiddle Convention Conference McGee University Derry N Ireland June with Power M and Devereux E An Emotional Air Raid Morrissey and Class Disgust The Case of The Slum Mums Regulating Emotions Contemporary Understandings and Interdisciplinary Perspectives Conference University of Limerick May Songlines as Social Movement Reappraising Two Australian Protest Songs Twenty Years On Paper presentation at ICTM Ireland Trinity College Dublin Feb 2011 2 Mighty Lift and Drive Music Music Dance and the Creation of Effervescence at an Irish Ceilí Society for Ethnomusicology International Conference Philadelphia Nov Traditional Music Performance Degrees Translating Program Vision to Curriculum Delivery International Conference for Traditional Music Conference Newfoundland July Featured speaker and panel discussant 2008 2 Sounding the City Sounding Home Reconsidering Irish Traditional Music in the Diaspora Neither Here nor There Writing the Irish Diaspora Conference University of Limerick Oct Nov My Lovely Horse Parody Intertextuality and Critique in Fr Ted s A Song for Europe Singing Europe Spectacle and Politics in the Eurovision Song Contest University of Thessaly Volos Greece Feb Mar 2004 1 Dancing in the Grooves In and Out of Time with Irish Music in the Paid Pub Context Symposium of the International Musicological Society Melbourne Australia July 2003 1 Ethnomusicological Theory and Practice Towards an Irish Ethnomusicology Crosbhealach an Cheoil Crossroads Conference II University of Ulster N Ireland Apr 2002 2 Into the West Cowboys and Country Music in Irish Culture American Conference for Irish Studies Conference Milwaukee WI USA June Celtic Fest The Invention of Myth Festivalization and Festival Culture Conference University of Chicago Chicago USA Feb Internal Seminar Presentations UL 2014 Keep It Country Country Music and the Twentieth Century Perspectives from Ireland and Australia A Tower Seminar Irish World Academy University of Limerick Sept Featured Speaker and Seminar Convener 2012 Textures of Place in Music Phenomenology Biography Spatial Stories Music Place Self A Tower Seminar Irish World Academy University of Limerick Nov Featured Speaker and Seminar Convener Conversations and Play Performance Text Context Interdisciplinary Group A Tower Seminar Irish World Academy University of Limerick Feb Featured Speaker and Seminar Co convener Texting the City Francis O Neill s Irish Music and Chicago s Modernity Tower Seminar Series Interdisciplinary Group Performance Text Context Irish World Academy University of Limerick Feb Featured Speaker and Seminar Co convener CONFERENCES SYMPOSIA Organised

    Original URL path: http://www.irishworldacademy.ie/dillane-aileen/ (2016-02-11)
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  • Dr Niall Keegan (Associate Director) | Irish World Academy of Music and Dance
    throughout the country and abroad in a variety of contexts and venues including the Royal Albert Hall Barbican Project Arts Centre in Dublin the University of Limerick Concert Hall The National Concert Hall in Dublin The Waterfront Hall in Belfast and the Galway Arts Centre In 1992 he was invited to record at the Traditional Music Archive in Dublin with the bodhran player percussionist Mel Mercier Niall has performed Mícheál Ó Súileabháin s concerto for flute and chamber orchestra Oilean on several occasions in Ireland and Britain and as part of the jazz trad fusion group Hiberno Jazz He is featured on both the recording of the 1994 Eigse na Laoi Across the Water and the television series A River of Sound made by Hummingbird Productions Niall also features on the Realworld CD The Gathering Niall s solo recording Don t Touch the Elk was released in June 1999 on his own independent label Niall performed as part of the Eurovision interval piece Lumen and features on the commercial recording of that piece Niall usually performs with Sandra Joyce an innovative bodhran player and vocalist and guitar players such as Chris Kelly and Clive Carroll Other performances have included a six week tour in Britain and northern Ireland with a South Indian Katakali dance drama group a two week tour of India appearances at several European festivals and the North Texas Flute festival in Dallas the second largest flute festival of its kind in the world In December 1999 Niall performed with Sandra Joyce vocals bodhran and Mícheál Ó Súilleabháin piano for De Tiende Nacht van Radio 3 This performance was recorded and broadcast in January 2000 Current projects include collaborative performances with saxophonist Ken Edge and the contemporary Dahdga Dance Company Niall has previously been director of the MA Irish Traditional Music Performance at the Irish World Academy of Music and Dance University of Limerick He finally finished his PhD entitled The Art of Juncture The Creative Transformations of Traditional Irish Music which examines cognitive structures that traditional musicians use to organise their oral music in a literate world He has been on the committee of the Folk Music Society of Ireland and director of the University of Limerick based projects Nomad aimed at honouring the music cultures of the traveling peoples at the University Niall was formerly co director of the Sionna Festival of European Traditional Music and the Blas International Summer School of Traditional Irish Music and Dance a university accredited programme He has been guest director of the Adult Folkworks sumerschool in Durham England He is the author of articles concerning issues of style and literacy in traditional Irish music and was formerly editor of the online journal for Irish music and dance Inbhear Niall is currently the Associate Director of the Irish World Academy and the Director of Undergraduate Studies responsible for the BA Irish Music and Dance BA Voice and Dance and Certificate in Music and Dance Contact Details Niall Keegan Room No IW1

    Original URL path: http://www.irishworldacademy.ie/keegan-niall/ (2016-02-11)
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  • Dr. Sandra Joyce (Director) | Irish World Academy of Music and Dance
    Director Posted on September 17 2010 by eagarthoir 0 Comments Sandra Joyce Dr Sandra Joyce is Director of the Irish World Academy of Music and Dance at the University of Limerick which has 16 programmes of study from BA to PhD level Together with Niall Keegan and Mícheál O Súilleabháin she founded the BA Irish Music and Dance and MA Irish Traditional Music Performance at the University and has been Course Director of both these programmes She is a traditional singer and bodhran player who has recently performed at the Royal Concert Hall Glasgow and Farmleigh House Dublin She is Artistic Director of the a capella female vocal ensemble Hazelwell which explores repertoire from the Irish and related traditions Her research interests include the Irish song tradition the Irish harp tradition and historical sources of Irish traditional music Contact Details Dr Sandra Joyce Room No IW1 09 Irish World Academy of Music and Dance University of Limerick Ireland tel 353 61 202065 e mail sandra joyce ul ie Filed Under Academic Staff 1 Sorry comments are closed for this post Follow Us on Twitter 9 Feb Irish World Academy IWorldAcademy Getting ready for the launch today Exciting stuff RTERnaG UL IrishWorldAcademy pic twitter com gRHi4jTmH6 Expand reply retweet favorite 9 Feb Irish World Academy IWorldAcademy Come along to the launch of Ar Bhruach na Sionainne today in the Academy at 2 15pm UL IrishWorldAcademy RnaG pic twitter com 6ScGJtm1SE Expand reply retweet favorite 9 Feb Irish World Academy IWorldAcademy Check out our beautiful new video for the MA Ritual Chant and Song youtube com watch v NzF96k IrishWorldAcademy UL Chant Ritual Voice Expand reply retweet favorite 2 Feb Irish World Academy IWorldAcademy A gorgeous shot from the lunchtime performance by Al Andar Photo Maurice Gunning IrishWorldAcademy UL pic twitter com

    Original URL path: http://www.irishworldacademy.ie/joyce-sandra/ (2016-02-11)
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  • Dr. Catherine E. Foley | Irish World Academy of Music and Dance
    dance festival of workshops lectures seminars and concerts to develop an awareness of and to record the diversity and richness within Irish and world dance traditions Catherine remained the director and co ordinator of Tráth na gCos until 2005 In 2003 she was the local Chair for The Society of Dance History Scholars 26th Annual International Conference hosted at the University of Limerick Catherine was the founder of Dance Research Forum Ireland in 2003 and was its first Chair she was the local Chair for Dance Research Forum Ireland s 1st International Conference hosted by the University of Limerick in 2006 Catherine is a founding member of Enarta European Network for Research and Teaching of Ethnochoreology Catherine has spent many years working as a collector of Irish traditional music song and dance She was a member of the board of the Irish Traditional Music Archive for many years and is a member of many professional organisations including the Congress of Research on Dance the International Council for Traditional Music An Coimisiún le Rincí Gaelacha the Association of Professional Dancers of Ireland and the Society of Dance History Scholars Catherine has taught music and dance studies at all levels within the education system from primary level to doctorate level within both an academic and performance capacity She has presented and published articles internationally within her areas of expertise and has performed lectured and given dance workshops in different countries in Europe Scandinavia and the United States In 2005 she choreographed The Sionna Set Dance Contact Details Dr Catherine E Foley Room No IW1 22 Irish World Academy of Music and Dance University of Limerick Limerick Ireland Phone 353 61 202922 Fax 353 61 202589 Email catherine e foley ul ie Filed Under Academic Staff Sorry comments are closed for this post

    Original URL path: http://www.irishworldacademy.ie/foley-catherine-e/ (2016-02-11)
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  • Dr. Mats Melin | Irish World Academy of Music and Dance
    Between 1998 and 2001 he was working as the Traditional Dance Development Officer for the Angus District and the same for Perth and Kinross between 2002 and 2003 on behalf of The Scottish Traditions of Dance Trust STDT He managed the Step 2000 Project in Inverness during 2001 Mats started and was part of the dynamic performance group DANNSA and he was also the choreographer of Vesterled 1998 a show making a journey in music and dance from Scandinavia to Scotland Choreographed Generating Heat in 2003 a ommissioned piece by the STDT and later Elements together with Frank McConnell for the St Magnus Festival in Orkney He also performed and taught as part of CeilidhMakers together with traditional Scots singer Christine Kydd Mats was a member of the Scottish Arts Council s Dance Committee until March 2003 He served as a member of the Scottish Governments Traditional Arts Working Group 2009 10 Report 2010 Mats has lectured and taught dance at the BA in Scots Music at The Royal Conservatoire of Scotland formerly RSAMD Glasgow since 2001 During 2004 5 Mats studied for an MA degree in Ethnochoreology at the Irish World Academy of Music and Dance University of Limerick Ireland Mats was appointed Lecturer in Dance in 2007 on the BA Irish Music and Dance at the Irish World Academy of Music and Dance Mats completed his PhD Exploring the Percussive Routes and Shared Commonalities in Cape Breton Step Dancing in May 2012 Mats was Acting Course Director for the MA Ethnochoreology in 2013 2014 For more information see Academia edu Contact Details Dr Mats Melin Room No IW1 19 Irish World Academy of Music and Dance University of Limerick Ireland Tel 353 61 202542 Fax 353 61 202589 email mats melin ul ie Filed Under Academic Staff Sorry

    Original URL path: http://www.irishworldacademy.ie/melin-mats/ (2016-02-11)
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  • Dr. Orfhlaith Ní Bhriain | Irish World Academy of Music and Dance
    2010 Orfhlaith completed her doctoral thesis at the University of Limerick Her research interests include Irish Dance among the Diaspora and examining creative processes in the context of Competitive Irish Solo Step Dance She is a registered Irish Dance teacher T C R G and adjudicator A D C R G with An Coimisiún le Rinci Gaelacha She has traveled extensively to workshops and Step Dance Competitions throughout Europe and North America as a tutor from the renowned Scoil Rince Ui Ruairc and dance accompanist Recently she completed a residency at Williams College MA where she was employed as guest artist in dance Orfhlaith is a former Co Director of Blas International Summer School of Traditional Irish Music and Dance held at the Irish World Academy of Music and Dance and is Dance Co ordinator on the BA programme She is currently vice chair person of Dance Research Forum Ireland and Treasurer of I C T M Ireland She has authored a book entitled The Terminology of Irish Dance Cuireann sí spéis freisin in imeachtaí a bhaineann leis an nGaeilge agus i ngach gné de chultúr na hÉireann Contact Details Dr Orfhlaith Ní Bhriain Room No IW1 14 Irish World Academy of Music and Dance University of Limerick Ireland tel 353 61 20 2470 fax 353 61202589 e mail Orfhlaith NiBhriain ul ie Filed Under Academic Staff Sorry comments are closed for this post Follow Us on Twitter 9 Feb Irish World Academy IWorldAcademy Getting ready for the launch today Exciting stuff RTERnaG UL IrishWorldAcademy pic twitter com gRHi4jTmH6 Expand reply retweet favorite 9 Feb Irish World Academy IWorldAcademy Come along to the launch of Ar Bhruach na Sionainne today in the Academy at 2 15pm UL IrishWorldAcademy RnaG pic twitter com 6ScGJtm1SE Expand reply retweet favorite 9 Feb Irish

    Original URL path: http://www.irishworldacademy.ie/ni-bhriain-orfhlaith/ (2016-02-11)
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  • MA Ethnomusicology | Irish World Academy of Music and Dance
    Building design Opening Hours Blas Café Map and parking Contact General Enquiries Faculty Staff Home Postgraduate Programmes MA Ethnomusicology MA Ethnomusicology MA Ethnomusicology Aims and Objectives The Master of Arts in Ethnomusicology at UL is a one year taught post graduate degree that trains students in the field s histories theories and methods in relation to a variety of world musics Musical practice is an important part of the program and is a central modality through which to engage in research The course caters to the international interest in Irish traditional music and contributes to the growing significance of ethnomusicology as an academic discipline in Ireland It was the first programme of its kind in an Irish University and it continues to work in this pioneering spirit Aims The degree course is designed to cater for the continuing education needs of graduates in music and in cognate and closely related disciplines such as Anthropology Cultural Studies Education Ethnochoreology Gender Studies and Irish Studies The course will appeal to a broad spectrum of students students who come from a wide variety of musical and academic backgrounds and who wish to benefit from the unique configuration of theoretical and practical possibilities offered

    Original URL path: http://www.irishworldacademy.ie/postgraduate-programmes/ma-ethnomusicology/aims-and-objectives/ (2016-02-11)
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  • MA Ethnomusicology | Irish World Academy of Music and Dance
    Research Completed Postgraduate Research Research Postgraduate Biographies Inbhear Journal of Irish Music and Dance Media Social Media Comhaimseartha Of Our Time Archive Maurice Gunning Venue Building design Opening Hours Blas Café Map and parking Contact General Enquiries Faculty Staff Home Postgraduate Programmes MA Ethnomusicology MA Ethnomusicology MA Ethnomusicology Programme of Study The Master of Arts in Ethnomusicology is a one year full time programme It consists of six modules that comprise lectures seminars tutorials and practicals These are divided equally between Autumn and Spring semesters In addition a substantial Final Project presentation will be prepared for submission late in August This may take the form of a 15 000 20 000 word thesis or combination of performance and a shorter written component Founded together with the Master of Arts Degree in Ethnochoreology the two programmes interact frequently in both practical and theoretical modes Workshops in selected idioms of world dance and music and visiting lecturers are often shared Ethnomusicology students with an interest in dance are encouraged to participate in an Erasmus Intensive Program in ethnochoreology held at the Norwegian University of Science in Trondheim Interaction with the MA in Irish Traditional Music Performance is also a prominent feature of

    Original URL path: http://www.irishworldacademy.ie/postgraduate-programmes/ma-ethnomusicology/programme-of-study/ (2016-02-11)
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